David Diao

Post-Fair Paris

19 Oct. 2026 – 24 Oct. 2026

Aresti Cervera presents Zak Prekop and Maya Hewitt at the first Paris edition of Post-Fair, coinciding with Art Basel Paris. 79 rue du Temple, Le Marais, Booth 32.

Monday, October 19: 2 – 6 pm by invitation only, 6 – 8 pm public opening. Tuesday, October 20 – Saturday, October 24: 11 am – 7 pm.

Nocturne & Performance: Raha Raissnia & Charles Curtis

3 Oct. 2026

Long-time friends and collaborators Raha Raissnia and Charles Curtis perform their first collaborative expanded cinema piece, Freeway I (2004–08), the recent Nour, and the world premiere of a new short piece, Solaria.

Using multiple 16mm and 35mm projectors, Raissnia layers images from nocturnal walks in New York, while Curtis responds in real time with a live score for cello and electronics.

At argos centre for audiovisual arts, Brussels. Nocturne 18:00–21:00; the performance starts at 19:00.

Gedi Sibony: The Carver’s Order

1 Oct. 2026 – 21 Nov. 2026

The Renee & Chaim Gross Foundation presents The Carver’s Order, an exhibition with Gedi Sibony, marking a new direction in the Foundation’s programming.

Sibony has created an intervention in the Foundation’s historic home and studio, integrating his work and making adjustments to the historic installation.

Opening Thursday, October 1, 6–8 pm, at 526 LaGuardia Place, New York. Free open hours: Thursday 5–8 pm, Friday 3–6 pm, Saturday 1–5 pm.

María Gómez in “Las costumbres de la flor”, Seville

30 Sep. 2026 – 22 Nov. 2026

María Gómez takes part in Las costumbres de la flor, a group exhibition at the Fundación Valentín de Madariaga y Oya in Seville, curated by Patricia Bueno del Río.

Approaching the flower not as a literal motif but as a way of thinking, the exhibition brings together practices that find in matter, care, delicacy and fragility a particular form of resistance.

With Elvira Amor, Anita de la Cuadra, Pepe Domínguez, Julia Llerena, Jesús Palomino, Matteo Pacella, Elisa Pardo Puch, J. M. Pereñíguez, Rosell Meseguer, Rodríguez Silva, Concha Ybarra and La Colorería. Avda. de María Luisa s/n, Seville.

Mike Cloud: Suitcase Portraits

17 Sep. 2026 – 24 Oct. 2026

A public conversation between Peter Halley and Mike Cloud will take place on Friday, September 18, starting at 6 p.m. Halley and Cloud will discuss historian and critic Yve-Alain Bois’ seminal 1986 essay Painting: The Task of Mourning on abstraction and the death of painting.

Zak Prekop

12 Sep. 2026 – 17 Oct. 2026

"Exploring abstract art since 1950, this presentation brings together artists who employ abstraction to express the intangible and ineffable, inviting a range of interpretations and responses. The works on view demonstrate a broad range of techniques, from gestural brushstrokes that record the act of making to sumptuous monochromatic explorations of shape and hue. The breadth of these approaches underscores the idea that abstraction is constantly being redefined."

Patricia Treib at Galerie Nordenhake

20 Aug. 2026 – 26 Sep. 2026

Galerie Nordenhake (Stockholm, Berlin, Mexico City) presents the work of Patricia Treib, with two solo exhibitions in 2026: Simultaneous Armor in Stockholm and Armscye in Berlin.

Earlier exhibitions at the gallery include Undulations (Stockholm, 2023), Oscillations (Mexico City, 2022) and Grotesquerie (Stockholm, 2018).

Mike Cloud: Worldless Obstruction

2 May 2026 – 7 Feb. 2027

Cloud is the 27th artist to participate in Chicago Works, a solo exhibition series at the MCA that features artists who are shaping contemporary art in the city and beyond. The exhibition is presented in the MCA’s Turner Gallery, on the museum’s fourth floor.

Gedi Sibony: The Invisible Point

30 Apr. 2026 – 20 Jun. 2026

Hammer Projects: Mike Cloud

28 March. 2026 – 10 Jan. 2027

Hammer Projects: Mike Cloud is organized by Erin Christovale, curator, with Azul Silverio, curatorial assistant.

Brett Goodroad at Crevecoeur, Paris

20 March. 2026 – 25 Apr. 2026

Brett Goodroad, a painter who left San Francisco for the Arizona high desert in 2021, once drove produce trucks across the Southwest, and that headlong view through the windshield shaped his landscapes.

Jordan Stein, the author, recalls visiting him there: big meals, hikes, ice cream, and Brett's answer to "what is art?" ("I know it's non-violent").

Stein argues Brett gives up control over meaning, so each painting becomes an event, like weather, inviting viewers to see faces, donkeys, or Ophelia in the surfaces.

His work treats earth, paint, and mind as animate landscapes, with raw textures (canvas, silk, copper) pointing to mortality and renewal.

Now back in northeastern California, Brett shows in Paris for the first time, across three storefront galleries at Crevecoeur, one a former antique shop.